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                     W R I T I N G  W O R L D

   A World of Writing Information - For Writers Around the World


Issue 2:11           9450 subscribers                May 30, 2002

         From the Editor's Desk
         News from the World of Writing
         FEATURE: In Search of the Perfect Clip, by Isabel Viana
         The Write Sites - Online Resources for Writers
         WRITING DESK: How to Develop a Topic into an Article,
	          by Moira Allen
         JUST FOR FUN: Publishing Paranoia, by Felice Prager
         From the Managing Editor's Mind
         What's New at Writing World
         NEW SECTION!  Writing Events
         Market Roundup/Writing Contests

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                      FROM THE EDITOR'S DESK

A Moving Experience...
Your intrepid editor is "on the move again," relocating from
Chesapeake to Chantilly (VA).  Since I've been a bit preoccupied
with packing, I haven't finished collating the survey results yet
-- and probably won't have them in the next issue either (since
I'll be preoccupied with UNpacking).  I should only be offline
for a brief period, but don't be surprised if e-mails aren't
answered quite as promptly as usual.  Now, time to tackle packing
those 40 boxes of books, not to mention files... Whatever
happened to the "paperless office"?

New Column
I'm delighted to introduce another new column this month:  Laura
Brennan's "The Screening Room," which will cover screenwriting
for movies and television.  This is a Q&A column, so if you have
screenwriting questions, send them to Laura at
ScriptWitch[at]worldnet.att.net. You'll find the column at

Now You Can Search Writing-World.com!
It's now possible to search Writing-World.com, through "Pico
Search."  You'll find a search box on the main index page
(http://www.writing-world.com).  I've tested it and it seems
to work pretty well.  Thanks to Debbie Ridpath Ohi for
letting me know about this one!

New Prize Drawings
Win one of three copies of Karen Ann Moore's "You Can Write
Greeting Cards" - http://www.writing-world.com/admin1/drawing.html

Win one of two copies of Kimberly Ripley's "Freelancing Later in
Life" - http://www.writing-world.com/admin1/drawing2.html

Viruses and Virus Hoaxes
Every time I mail out the newsletter, I brace myself for the
flood of virus attachments that hits my inbox.  These are the
viruses that are lurking in subscribers' mail programs,
responding with their nasty little packet to every incoming
message.  Thankfully, I have a Mac, so generally all I need to do
is clean out my attachment folder of all the .pifs and .bats and
such that come my way.  However, some of your other friends and
correspondents probably aren't so lucky.  If you haven't run a
virus check on your system lately (or updated your virus
protection software), I urge you to do so.

And speaking of viruses, in the last two weeks I got several
messages from folks earnestly instructing me to delete a
particular "virus" file from my system -- followed, generally, by
apologetic and embarrassed messages from those same folks who
realized that this was a hoax.  Folks, if someone sends you an
e-mail telling you to delete a file from your system, DON'T DO
IT.  You can check out virus hoaxes at http://www.vmyths.com -
and it's always a good idea to check ANY warning before passing
it on.  A good way to tell that something is a hoax is when it
has about six miles of forwarded addresses at the top of the
e-mail; the other sure indicator is the phrase, "please send this
to everyone on your address list."

                         -- Moira Allen (Moira Allen)

Writing-World.com growing and thriving with a contribution of $5
or more -- and receive a free copy of Moira Allen's new "Writer's
Guide to Rights, Contracts, Copyright and Permissions." See
http://www.writing-world.com/admin1/rights.html for more info, or
donate at http://www.amazon.com/paypage/P2UTPRKYGU4AA1
Join Writer's Digest this summer for 2 on-site, one-day seminars:
"Writing Your Novel" and "Writing for Children." Visit
http://www.writersdigest.com/information.asp?WRWOnl53002 for more
info - do it soon to take advantage of Early-Bird discounts!

                   CLASSES!  CLASSES!  CLASSES!


Instructor: Bruce Boston
Starts: July 8

Bruce Boston, author of 30 books and chapbooks and hundreds of
short stories and poems (which have appeared in Asimov's SF
Magazine, Realms of Fantasy, Amazing Stories, Science Fiction
Age, and other publications), offers individual attention to your
writing in this 8-week course.  This class has an "inclusive"
definition of speculative fiction, ranging from the experimental
work of writers such as Italo Calvino and Donald Barthelme to the
science fiction and fantasy of writers such as Alfred Bester,
Angela Carter, and Kim Stanley Robinson. The workshop will cover
world-building, developing characters, choosing POV, avoiding
anachronisms, developing ideas and themes, and choosing form and
structure.  It will look at both the novel and the short story.
Students will have the choice of assignments or of having their
own writing critiqued. Possible markets for student work will be
suggested on an individual basis.

$100 - 8 weeks - maximum enrollment is 12 students

To enroll, visit http://www.writing-world.com/classes/boston.html



Instructor: Marg Gilks
Starts June 3

Fiction editors reject more than 90% of the stories they receive
- but you can beat those odds by learning the tricks of the trade
from an experienced fiction editor.  Marg Gilks will walk you
through the steps involved in crafting a memorable, marketable
story -- including tips on developing plot, understanding POV,
creating believable characters, handling dialogue, building
conflict, and more.  Learn how to hook the reader with your
opening (which, editors say, can be the most important part of
your story), and bring your tale to a satisfying conclusion.
Hands-on exercises help you learn the craft.

$125 - 8 weeks - no maximum enrollment

To enroll, visit http://www.writing-world.com/classes/fiction.html



Instructor: Stephen D. Rogers
Starts June 12

Would you like to earn more than recognition for your poetry?
Then try your hand at writing for the genre magazines -- mystery,
horror, science fiction and fantasy.  Publications such as
Asimov's, Alfred Hitchcock, and Ellery Queen pay good money for
genre poetry, and dozens of smaller publications are eager for
contributions from new writers.  Find out how to break in,
structure a poem, and deal with editors.  Stephen Rogers has
written genre poetry for more than a dozen print and electronic

$75 - 6 weeks

To enroll, visit http://www.writing-world.com/classes/rogers.html



Instructor: Linda Shertzer
Starts June 17

There's more to writing a popular historical romance than just
heroines in long skirts, heroes on horseback, and fiery embraces.
This course will show you how to give your plot, characters,
dialogue, and narration the special touches that put the
historical romance in its own, significant genre.  Each lesson
helps you to discover your own writing strengths, and how to
overcome any weaknesses to improve your writing, and your
manuscript.  Shertzer will also review up to 50 pages of your

$125 - 8 weeks - maximum enrollment is 25 students

To enroll, visit http://www.writing-world.com/classes/romance.html

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Congress addresses anti-trust issues for freelance writers
Rep. John Conyers, Jr. (D-Michigan) and Rep. Chris Cannon
(R-Utah) have co-sponsored a bill, "Freelance Writers and Artists
Protection Act of 2002," to grant freelance authors an exemption
from anti-trust law, which means they could continue to negotiate
fees and contract stipulations from publishers on their own or
collectively bargain if they so desired. In a press release, Rep.
Conyers stated, "This bill addresses the problem of the theft of
creative works that have not been released. The criminal
copyright law penalizes those who infringe works having a retail
value of $1,000 or more, but works that have not been released
are not protected because they have no retail value. They are,
however, valuable to their creators, and we need to close the
loophole in the law that allows the theft of these unreleased or
unpublished works. For that reason, the bill amends the law to
say that the theft of unpublished works also can be a criminal
offense." The bill's text and Rep. Conyers' statement are
published at the National Writer's Union web site:

CTEA is a Mickey Mouse law
Less than five years ago, Disney's copyright on Mickey Mouse was
set to expire. Rather than let Mickey go free and enter the public
domain, Disney campaigned with other Hollywood studios and major
record labels to press Congress to pass the 1998 Sonny Bono
Copyright Term Extension Act (CTEA), which extended copyright
protection another 20 years. Critics say such laws are too
restrictive, leaving fewer creative works in the public domain.
Legal scholars and web publishers are launching a non-profit
intellectual property conservancy to help artists, writers,
musicians, and scientists share their intellectual works on
generous terms. Instead of contacting individual authors to ask
for permission, users who want to copy or reuse a copyright
holder's work can go to the Creative Commons web site to search for
the terms under which they can use both digital and physical
materials. For more information: http://www.creativecommons.org

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                                by Isabel Viana (iviana[at]sisna.com)

When I started writing professionally, I didn't have a clip
dilemma. With only one published article, I didn't have to decide
which clip to send with my query letters. But soon I had an array
of clips, from 450-word fillers to 1,500-word features on topics
ranging from home building to assistance dogs for the disabled.
It took me twice as long to get a query out as I agonized over
which clips to send. Everywhere I turned I got the obvious, but
unsatisfactory suggestion to send in my best. But how did editors
look at word count, style, and content of clips? How did veteran
writers select their clips? I decided to ask.

Does Topic Matter?
My preference has always been to submit clips that match the
content of the new article I'm asking to write. Topic isn't the
only way to "match" a publication's content, however. Freelancer
Terra Hangen says, "When I don't have a clip on a similar
subject, I select one from a magazine that may have an audience
similar to the magazine I am querying."

Most editors seem open to reviewing clips on any subject as long
as they show competent writing. For instance, when asked whether
he'd prefer to see an unpublished writing sample covering a topic
that matched his publication's editorial content or an unrelated
published article, Ron Kovach, senior editor of The Writer
magazine, answered, "Send along a few samples of what you feel is
your best published material regardless of subject. Go for
quality. Even if the published samples are unrelated to our
magazine's material, we'll still get a general impression of the
person's writing ability." Bev Walton-Porter, editor of
Inscriptions Magazine, agrees. When she studies clips, she says,
"I can get a 'feel' for who they are as a writer -- no matter
what subject matter they've written about!"

This attitude is especially helpful if a writer is trying to
break into a subject new to her writing. When I decided to dive
into new waters, I looked for similarities in areas other than
content between my clips and the articles I pitched. For
instance, if I was proposing a story that would include quotes
from experts, I might include a copy of an article I'd written
for a home publication for which I'd interviewed home inspectors.
Hilda J. Brucker, an Atlanta-based home and garden freelance
writer, also looks for this type of connection. For example, when
a national bridal magazine needed somebody to write a local
buying guide for her area, she explains, "I sent a clip from
Atlanta magazine: a buying guide for outdoor living. In my cover
letter, I pointed out that I was great at the kind of
consumer-oriented research/reviewing that goes into buying guides
in general."

Freelance writer and instructor Carol Celeste's approach is to
include "clips that match the style and format rather than the
content." When Celeste applied for a job writing encyclopedic
entries, she used "clips that condense a lot of information into
few words; biographies for a book that range from 75 to 250
words, travel content that condenses the history of nations into
500 words, business communications topics for university classes,
including assignment suggestions, in under 400 words."

I noticed that after one of my articles appeared in a national
magazine, I started getting more attention from editors. To me
this indicates that where a story appears carries some weight.
Arline Zatz, a writer and photographer who primarily writes
travel pieces, used the following strategy to get assignments on
new topics: "I sent the travel articles that appeared in the most
prestigious magazines/newspapers and wrote a short note stating
that I was a professional writer with excellent research
abilities, and therefore could tackle this new subject matter."

Grammar and Style
Durango Magazine Editor Julie Schultz says, "When I get a clip, I
am looking to see if the person can write." So, if it isn't well
written, keep it off the editor's desk! Unfortunately, sometimes
even the big glossies misspell or leave a word out of published
articles. If that happens, it may be better not to use that
article as a clip.

Emily K. Bivens, editor-in chief-for The Toy Box, a parenting
e-zine (also in print), says that "If someone sends me a query
letter and/or clips with typos, lower case letters, or just a
general 'hey I have this idea, are you interested?' it really
sets the tone for that writer. In my opinion if a writer can't
take the time to present him/herself in a social yet businesslike
manner, it's not worth my time." In addition, how a writer
presents information catches an editor's attention.
Walton-Porter, for example, uses clips to tell "how well the
writer's style comes through and how thorough they have been in
delivering the information/content of the article in a concise,
understandable way."

Published Articles vs. Unpublished Samples
I submitted the first article I ever sold as a complete
manuscript. At that time, I was only targeting markets that
accepted complete works and didn't require query letters. But
this kind of speculative writing isn't for everyone. Fortunately
some editors are open to reviewing unpublished writing samples
that accompany query letters. Bivens is one of them, saying, "It's
a representation of the person's style, whether it's been
published or not."

Tina L. Miller, editor-in-chief of Obadiah Magazine, a Christian
quarterly, even prefers an unpublished sample since "We can judge
for ourselves what we like and don't rely on prior publication as
proof that a writer's work is worthy of our review and
consideration." A writing sample may also be the way to go for
someone trying to break into a new field. Schultz would rather
receive a writing sample similar to her magazine's editorial
content than an unrelated clip. As she puts it, "I have no
interest in their ability to write about a subject I would never

While this advice doesn't offer a straightforward formula to
match query with clip, it represents what has worked for
successful writers and it also gives an idea of what editors look
for when they review a writer's clip.


Isabel Viana has sold articles to Writer's Digest, Inklings and
Inkspot among other publications. In addition, she was the winner
of the May 2001 Chronicle essay competition sponsored by Writer's

Copyright (c) 2002 by Isabel Viana

"THE VOCABULA REVIEW is an excellent publication concerning all
aspects of language, digestible by the academic and layman alike"
-- American Dialect Society. "Thought-provoking, funny, and
educational" -- Richard Lederer.  http://www.vocabula.com
Designed by writers for writers: custom domain support, portfolio
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Dave Barry on the International Library of Poetry
Dave Barry's hilarious column about submitting a poem to
Poetry.com when it was still "The National Library of Poetry."

Calendar Zone
You should be able to find lots of article or story ideas by
perusing this collection of calendars (geographic, historic,
holidays, cultural, etc.)

Technical Writing
An article by Doug Nickerson on techniques of technical writing.
Subtitled "It's not as easy as it looks."

A new e-zine covering a variety of copyright issues.

Web Resources that Help You Identify Scams
The title says it all!

Libel Law in the United States
Are you worried about whether your true story might be libelous?
Check this article for an overview of the law.

Reasonable, competitive rates. Electronic or hard copy editing.
Free five-page sample edit provided. References available.
http://www.theweisrevise.com; weisrevise[at]nvc.net; (605) 229-0121.
Newsletter is a weekly journal for the practical technical writer.
Every Monday you'll find career tips, how-to articles, software
and book reviews, a HUGE North American jobs list, and, of course,
Guerilla WriteFare! http://www.writethinking.net/

                          by Moira Allen (Moira Allen)

How Can I Develop a Topic into a Workable Article Idea?

Q: I am a nonfiction freelance writer and have had several
articles published. My problem is that every now and then I get
stuck with breaking down a topic idea.  I would like to write an
article for an at-home mothers magazine about how to help mothers
boost their self esteem but I am not sure how to break this idea
up into a suitable article topic. Could you give me any
suggestions to help me get started?

A: The problem you describe is far from unusual. It's often much
easier to think of the "big picture" than to figure out how to
focus in on an angle that's appropriate for a specific

One way to do this is to brainstorm ideas. Take a pad of paper
and jot down every idea that comes to mind when you think of
"self-esteem" and "at-home mothers." What are some of the
possible sources of low self-esteem? What would some of the
symptoms be? For example, an at-home mother might not think she
has low self-esteem, but you might be able to come up with a list
of "symptoms" that this reader would recognize, whereupon you'd
(presumably) present some possible solutions to the problem.

Another part of the approach is to ask yourself how the audience
you're targeting "thinks." Again, an at-home mother probably
isn't going to think of herself as having low self-esteem. An
editor of such a publication is going to regard this type of
lifestyle in a positive, rather than negative, sense. So, what
would your readers want to hear? How could you identify the
problem without making the lifestyle sound negative? What
questions would your readers ask? How can you put a positive spin
("things you can do") to a potentially negative topic?

Where does low self-esteem come from if one is an at-home mother?
Are women who choose to stay at home to raise their children more
likely than any other women to have low self-esteem? If so, why?
Does the lack of self-esteem contribute to the lifestyle choice,
or vice versa? Does it come from external sources -- people who
don't respect such parents' choices, or who think that
"mothering" isn't as important as a career? These questions will
also help you define what your audience will want to hear.

Who can you talk to about the issue? Are you going to interview
mothers, experts, or both? By identifying the types of people
you'd like to quote in your article, you may also be able to help
identify the types of topics you'd want to cover.

Try "clustering" -- by grouping ideas on a piece of paper
according to how they relate to one another. You can start by
putting "mothers" in the center of your paper and then writing
down ideas that come to mind, clustering together those that seem
to relate to one another. Do the same with "self-esteem." See
what patterns emerge. The larger an "idea cluster," the more
likely this is to be a topic that holds some energy for you, or
has enough to write about.

Consider using the "list" approach; for example, "Ten Ways to
Beat the Stay-at-Home Blues." Your list may not be exactly ten,
but by thinking in this "framework," it can help you focus on
finding information that fits your article focus.

Picking an "angle" is an important part of focusing your article.
Be sure that your angle matches the "attitude" of your target


Moira Allen has been writing and editing for more than 20 years,
PROPOSALS (Allworth Press, 2001) and WRITING.COM: CREATIVE
Press, 1999).  For more information, visit
Send questions for "The Writing Desk" to Moira Allen

Copyright (c) 2002 by Moira Allen

DON'T KNOW WHERE TO SEND YOUR WORK? We'll research & target
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JUST FOR FUN:  Publishing Paranoia
                       by Felice Prager (webmaster[at]writefunny.com)

If you send your manuscript to an editor, it'll be opened by the
janitor, who'll take it home to read and leave it in the
bathroom. When his wife cleans the bathroom, she'll throw it out
because she'll think her husband is reading porn again.

If you get an agent, she'll decide to leave the publishing
business and become a folk singer. When your agent-turned-folk
singer gets her big break and becomes successful, she'll publish
a book about why she left publishing and use an excerpt from your
novel as an example of the second rate authors she was forced to
represent. Then she'll talk about you on Leno and Letterman.

If you print a final copy of your manuscript, you'll make a
mistake in your header and have to reprint the whole thing. Your
printer will run out of ink midway, but continue to print
unreadable copy, forcing you to print again. Then a power surge
will cause printer failure.

If you use an Arial font, the agent reading your manuscript will
prefer Times New Roman. If you use Times New Roman, she'll prefer
Arial. If you use a 10-point font, she'll want a 12-point font,
and if you use 12-point, she'll prefer 10-point.

If you include a SASE, you'll think you forgot the postage and
ruin the outer envelope as you open it. When you get the whole
package together again, you'll seal the outer envelope, only to
worry that you didn't address the SASE.

If you're hired as a monthly columnist for an ezine, it'll go out
of business and disappear from the Internet before you're paid
for three published columns.

If you send a humorous manuscript to an agent, you'll get this
reply, "If anyone knows what funny is, I do. Your manuscript
isn't funny."

If you send your manuscript at the agent's request, four months
later, you'll get it back full of coffee stains and lipstick
smudges with a note: "I gave this to my assistant and she sort of
made a mess of the editing notes she took it upon herself to do.
She's been fired, but now we can't read it. Will you send us
another copy?" You notice pages out of order and spelling
corrections made on words spelled correctly.

If you upgrade your computer to a state-of-the-art machine and
transfer all your files, you'll click on your novel's file and
get the following message: "This file is corrupted. Continuing to
work on it will corrupt any other files." You deleted your backup
on the old computer and the floppy disk is missing. You'll call
your mother and she'll say, "Well, it is a silly hobby, this
writing of yours."


Felice Prager is a freelance writer from Scottsdale, Arizona. Her
writing has appeared in local, national, and international
publications, plus a variety of Simon & Schuster anthologies. Her
web site is Write Funny! at http://www.writefunny.com

Copyright (c) 2002 by Felice Prager

Looking for writing jobs? The Writer's Online Survival Guide
gives you access to 300+ writing-specific job sources. Just
$8.95 with free updates throughout 2002.


On May 17th, Vanessa Leggett received the Washington Independent
Writers President's Award for her stand in support of the First
Amendment. From July 20, 2001 to January 4, 2002, Leggett was
held in a Texas federal detention center, the longest jail term
in US history, for refusing to reveal confidential sources for a
book she's writing. Her ferocious battle is not yet won. Serious
legal issues remain unresolved.

To what extent are journalists entitled to protect confidential
sources in stories related to criminal proceedings? That depends
on what state you're in. The Shield Law protecting journalists
varies among states. Some states, like Texas, don't have Shield
protections. There is no federal Shield protection, and US
Circuit Courts vary in interpretation of protections.

Does the government have the right to define who is and who is
not a journalist? Freelance writer Paul Trummel has been in jail
since February 27, 2002. King County Superior Court Judge James
Doerty says Trummel is not a legitimate investigative reporter
because he edits and publishes his own work, and charged him with
contempt until he takes down a web site where he accuses management
of a HUD-subsidized senior housing project of improprieties.
Recently Massachusetts reporter, Patricia Demarest went to court
after a public access cable company suspended her for airing a
broadcast where she grilled local officials about conflicts of
interest. On March 5th, a federal judge ruled that freelance
journalists have the same rights as those employed by news outlets.

Such court challenges to a free press are unsettling. Journalists
are forced to make incredible sacrifices too frequently these days.
For more information: http://www.freeexpression.org

                         -- Peggy Tibbetts (peggyt[at]siltnet.net)

If you're looking for help getting your writing into print, you'll
love being a Fabulous Girl. We're a dynamic, professional and well
published women's freelance group  who never forget that they are
Fabulous. Join today! FabGirls-subscribe[at]yahoogroups.com


Advice from a Caterpillar, by Peggy Tibbetts
"Finding Publishers of Novelty Books; Turning an Essay into a
Book; Formatting a Picture Book Submission"

Imagination's Edge, by Paula Fleming
"Mixing Science and Magic: A Recipe for Disaster?"

Press Kit, by Debbie Ridpath Ohi
"Author Web Sites"

The Screening Room, by Laura Brennan
"How Can I Sell a Script to a Show I Love?"

Self-Publishing Success, by Brian Jud
"Seven Habits of Ineffective Publishers (Part II)"

Seven Steps to a Great Press Release, by Elizabeth Hanes


Check out our redesigned index page - no more scrolling through
five pages to read the menu! http://www.writing-world.com

New listings added regularly to the "Writers Wanted" section:

Break into the Regional Parenting Publication Market!  Successful
Selling to Regional Parenting Publications, ebook with editor
email database. Sell reprints, new articles to over 150 mags with
one email. $29.99  http://www.mooseinthebirdbath.com/Ebooks.htm


Stephanie Perry Moore, Editor
EMAIL: dsssmoore[at]aol.com
URL: http://heart2heartstories.com

World Bible Publishers is interested in publishing a Women's Fiction
Devotional Bible, featuring stories that teach God's Word. This
book will include 52 short stories, each accompanied by a
devotional, written by Christian fiction authors. Each
contributor will submit one story written in third person,
related to one of the topic suggestions listed in the submission
guidelines. The accompanying devotional should also be on a
single topic giving truth, teaching, and inspiration.

LENGTH: Story: 1500-2000 words; Devotional: 500-1000 words
PAYMENT: Contributing authors will receive an honorarium between
$100 and $300, plus two copies.
DEADLINE: August 20, 2002
RIGHTS: Non-exclusive print rights for all versions, translations,
ancillary materials (such as study guides).
GUIDELINES: Do not send submissions. Request a list of topic
suggestions and guidelines by sending an email to:
Stephanie Perry Moore, Editor: dsssmoore[at]aol.com
or Kathy Ide, Editorial Director: kayide[at]pacbell.net
"Fiction Bible" in the subject line.


James Malinchak, Editor
PO Box 530061, Henderson, NV 89012; fax (702) 568-9412
EMAIL: JamesMal[at]aol.com

We're looking for inspirational stories about athletes. Our goal
is to empower athletes of all ages to overcome challenges and
pursue their dreams. Some of the chapters include: Overcoming
Obstacles, Going for Dreams, Special Moments, Athletes Wisdom,
Sportmanship, Family & Friends, and Relationships Developed
through Athletics. Submit as many stories as you like. Stories
written by someone else are also welcome. If pre-published,
include the source, authors name, date of publication, and the
page numbers on which it appears.

LENGTH: 300 - 1200 words
DEADLINE: August 1, 2002
RIGHTS: Author retains rights
SUBMISSIONS: By e-mail, fax or surface mail


Ilene Barth, Creative Director
Suite 114, 459 Columbus Avenue, NY NY 10024
EMAIL: RedRockPrs[at]aol.com
URL: http://www.VirtueVictorious.com

We seek vivid, original essays for upcoming book, "Hope: True
Stories of Answered Prayers." Submissions must be absolutely
true. State your particular hope, show your overcoming of
obstacles to achieving it en route to Turning Point leading to
its accomplishment. Topics desired include: making a career dream
true, finding lasting love, passing hope to another generation,
finding a real home, holiday (Easter, Thanksgiving, etc.) hopes.

LENGTH: 1000 - 1800 words
PAYMENT: $20 plus free copy of book
DEADLINE: July 1, 2002
RIGHTS: All rights
SUBMISSIONS: By email to: RedRockPrs[at]aol.com
"Attn: Sophie" in the subject line. Include postal and email
addressess, plus telephone number. No attachments, submission must
be in body of email.


"FNASR": First North American Serial Rights, "SASE":
self-addressed, stamped envelope, "GL": guidelines.
If you have questions about rights, please see
"Rights: What They Mean and Why They're Important"

Please send Market News to Moira Allen

Don't waste time and $$ on promotions! Discover top authors'
methods in "Best Bang for Your Book," covering cutting-edge
promos, where to spend and not spend your $$, where to find
free advertising, more! Electronic; $6.95; juliawilk[at]aol.com
Win Cash Prizes in monthly Poetry and Short Story Competitions.
Winners published online. Sign up for the Free electronic
newsletter with writing updates and interviews with the
Competition Winners. http://www.thetwistinthetale.com

This section lists contests that charge no entry fees (unless
otherwise noted).  For more contests (22 new competitions added
as of May 25), visit


                    Toward the Livable City

DEADLINE: June 15, 2002
GENRE: Fiction, Poetry, Non-fiction
LENGTH: 1,400 - 7,000 words

THEME: Where and how do urban habitats intersect with and shape
our lives, our sense of self and our world? Milkweed Editions is
accepting submissions of fiction, poetry, and creative
non-fiction that address the concept of the livable city. Pieces
will be selected first for presentation in a special area of
Milkweed's web site and for a book to be published in summer
2003. Multi-cultural perspectives are encouraged, from Native
American to recent immigrant groups.

PRIZES: $50 for web site publication; $500 for print publication

ELECTRONIC ENTRY: Yes. "Toward the Livable City" in subject line.
EMAIL: editor[at]milkweed.org

ADDRESS: Include SASE. Send to: Editor, Milkweed Editions,
1011 Washington Ave. S, Suite 300, Minneapolis, MN. 55415

URL: http://www.worldashome.org


               Deathlings.com Short Story Contest

DEADLINE: June 15, 2002
GENRE: Short story
LENGTH: Up to 4,000 words

THEME: The 70's were hell and we didn't even know it. Your story
should contain at least a few references to those distinctly 70's
phenomena like consciousness-raising groups, drugs-sex-and-rock-
and-roll, bell bottoms, parents divorcing, etc. We want stories
drenched in atmosphere where the setting plays an integral role.
Stories that are character, not plot-driven. No present tense.
Avoid stream-of-consciousness, and whole pages without dialogue.
No fantasy. Dark fiction encompasses everything from scare-the-
hell-out-of-you to "dark" stories that could never be published
in women's magazines.

PRIZES: 3 cents/word and web site publication

ELECTRONIC ENTRY: Yes. Send attachment in RTF only.
EMAIL: editor[at]deathlings.com

ADDRESS: Include SASE. Send to: Deathlings.com,
c/o 130 E. Willamette Ave., Colorado Springs, CO. 80903-1112

URL: http://www.deathlings.com


          1st Annual "Brains on Parade" Essay Contest

DEADLINE: June 20, 2002
GENRE: Essay
LENGTH: 500 words

THEME: The subject is "Compare/Contrast: Your life, my life."
Beyond that, there are no limitations to the subject matter you
can use. We encourage you to be creative. Every year, Dementropy
looks for the greatest minds of our generation to create a work
of literary grandeur. We encourage everyone to show their writing
skills by entering some of their own written work.

PRIZES: 1st place: $50 in cash; two 2nd place prizes: $10 each

ELECTRONIC ENTRY: Yes. Must include title, author's name, address,
and email. Send as attachment: plain text, Word document, HTML
file, or Adobe PDF
E-MAIL: essay_contest[at]dementropy.com

ADDRESS: Dementropy Essay Contest, PO Box 390, Ghent, NY 12075

URL: http://www.dementropy.com/essay_contest.html

THE COMPLETE WRITER: Combining Business and Creativity for
Writing Success -- Don't miss this seminar presented by Karen
Jones and Kathleen Brehony, June 15, in Virginia Beach, VA.
Visit http://www.jonesbrehony.com for more information.


May 30 - June 1 - San Juan Writing Workshops:
Matters of the Spirit - Ouray, Colorado

June 2-8 - The Complete Writer - Intensive Writers' Camp
Ocracoke Island, NC

June 16 - 22 - Southeastern Writers Association Workshop
Epworth-by-the-Sea, St. Simons Island, Georgia

June 20 - 22 - San Juan Writing Workshops: Literature of Place
Ouray, Colorado

June 22 - 23, 2002 - Tantrick Writing Workshop
Taos, New Mexico

July 1, 2002 - Tapping Your Innate Creativity
10-week E-mail course (Barbara Florio Graham)


For more information on writing events, visit

List your event on Writing-World.com!  For details, see

THE SUCCESSFUL WRITER'S HANDBOOK: an ebook for writers at any
stage of their passion. Veteran writer Patricia Fry offers a
collection of 38 of her best writing-related articles, featuring
practical tools, creative ideas and useful techniques.
131 pages, $9.95 at http://www.booklocker.com/books/771.html


Freelancing Later in Life, by Kimberly Ripley

In a Parrot's Shoes, by Mindy Wilson

Preserving Cleo, by Jo Brew

Sex, Death and Other, by Jade Walker

So You Think You've Been Saved? by Rosemary Wright

The Successful Writer's Handbook, by Patricia Fry

      Check out these titles and more at:

eBooklet, RESOURCES FOR WRITERS by subscribing to NAWW WEEKLY,
the FREE inspirational/how-to emagazine for women writers. Send
blank e-mail to: naww[at]onebox.com or visit http://www.naww.org
SPAWN (Small Publishers, Artists and Writers Network) is offering
a free monthly online newsletter for those interested and/or
involved in the writing and publishing process. Subscribe at
http://www.spawn.org or send an email to Subscribe[at]spawn.org.
FREE E-BOOK: 'Writer's Online Guidelines Book,' containing more
than 200 paying markets for your writing.  Sign up for the
Absolute Markets newsletter at http://www.absolutewrite.com or by
sending a blank e-mail to: join-awmarkets[at]mh.databack.com.
FREE MARKETS REPORT. 25 Women's Interest Writing Markets Online
Receive it now when you sign up for Worldwide Freelance Writer's
free newsletter. http://www.worldwidefreelance.com or send a
blank e-mail to: wwfw-subscribe[at]topica.com
FICTION FACTOR - The online magazine for fiction writers,
bringing you FREE articles on improving your fiction writing,
tips on getting published, free ebook downloads, heaps of
writer's resources and more! http://www.fictionfactor.com
Writing for DOLLARS! the FREE ezine for writers featuring
tips, tricks and ideas for selling what you write. FREE ebook,
83 WAYS TO MAKE MONEY WRITING when you subscribe. Email to
subscribe[at]writingfordollars.com -*- www.WritingForDollars.com

month -- or less!  For details on how to reach 75,000 writers
a month with your product, service or book title, visit

                  Copyright (c) 2002 Moira Allen
          Individual articles copyrighted by their authors.
Editor/Publisher: MOIRA ALLEN (Moira Allen)
Managing Editor: PEGGY TIBBETTS (peggyt[at]siltnet.net)

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For more information please contact Moira Allen, Editor