***************************************************************** W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 7:03 17,300 subscribers March 1, 2007 ***************************************************************** SPECIAL NOTICE: Please DO NOT REPLY to this e-mail; any messages sent in reply to the newsletter are deleted. See the bottom of this newsletter for information on how to subscribe, unsubscribe, or contact the editors. ***************************************************************** CONTENTS ================================================================= The Editor's Desk NEWS from the World of Writing THE INQUIRING WRITER: Writing Through Grief, by Dawn Copeman FEATURE: Boost Your Bottom Line, by Mridu Khullar The Write Sites -- Online Resources for Writers BEGINNER'S GUIDE TO... Interviewing, by Dawn Copeman WHAT'S NEW at Writing World WRITING CONTESTS with no entry fees The Author's Bookshelf ***************************************************************** EARN AN MFA IN WRITING through the brief-residency program at Spalding University in Louisville, KY. Call (800) 896-8941x2423 or email mfa"at"spalding.edu and request brochure FA90. For more info: http://www.spalding.edu/mfa ***************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** DISCOUNTED SOFTWARE FOR WRITERS -- PowerWriter, DramaticaPro, StoryCraft, WritePro, MovieMagic, StyleWriter, plus many more. HUGE SAVINGS! GREAT SELECTION! Save online at: http://www.MasterFreelancer.com ***************************************************************** WRITE CHILDREN'S BOOKS. Ever dreamed of being a published author? Writing for children is a great place to start. Learn from home, by mail or online, from a nationally published writer or editor as your mentor and create potentially saleable material from the very first assignment. Free Writing Test. http://www.writingforchildren.com/G0879 ***************************************************************** LIVE THE CHARMED LIFE OF A PUBLISHED AUTHOR Work at home, collect advances, royalty checks, sign a six-figure contract. Even if you've never written a word in your life! http://www.theromancewriterslife.com/ltc/wworlda6/ ***************************************************************** FROM THE EDITOR'S DESK ================================================================= Business First... ----------------- On the business side of things, we have a new e-mail! For matters relating to advertising, submissions, link requests and general information requests (or "omigod, your incorrect use of a comma in your article on such-and-such spells the end of Western civilization" e-mails), please use the following address: editorial"at"writing-world.com This e-mail will put you in touch with Dawn Copeman, our editor. If you wish to speak to me personall, about some topic OTHER than ads, submissions, links, corrections, or basic questions, you can still reach me at editors"at"writing-world.com A Hodgepodge Editorial ---------------------- As the date of our move approaches, "hodgepodge" seems a good word to describe the state of my life. Last fall I had a nice long list of projects that I confidently expected to get done before we left; as I face the inevitable task of turning the calendar to a new page today, that list doesn't seem to have gotten any shorter! At least we got to celebrate Valentine's Day the traditional Virginia way: By shoveling snow off the front walk. Tabitha, our year-old kitten, ventured out onto the deck and was surprised to find that she didn't sink through the crust. Awhile later, I ventured out onto the deck and was surprised to find that I didn't sink through the crust either! (I'm a wee bit heavier than Tabitha.) By the next day I couldn't even walk to my car; if I'd wished, I could have gone skating in the back yard. (I actually regret not trying this; it might have been fun!) All this lovely weather, combined with the fact that my husband's car has been stubbornly refusing to start for two weeks (requiring him to use mine while his is at the shop), has given me lots of time to burrow into my closets and sort out some things that just don't need to go to England with us. Which brings me to: Moira's "Closet-Cleaning" Sale ------------------------------ Now that we've discovered that it's going to cost about $3 per pound to move our worldly goods to England, I've decided it's time to unload (ahem, ah, I mean, offer at a BARGAIN price) the remainder of my original, hand-made photo cards. These are absolutely gorgeous cards, and will impress anyone on your correspondence list. Each is individually sealed in a protective plastic wrapper, so they also make lovely gifts. I'm offering seven sets of ten cards each, on the following subjects: Stained glass - 2 sets Waterlilies - 1 set Waterlilies and roses - 1 set Irises - 2 sets Harvest festival - 1 set Mixed bag (flowers, butterflies, swans, etc.) - 1 set You can get an idea of the type of images available at http://www.allenimages.net - however, the sets are going "as is" (i.e., you can't request a specific image). Each set of 10 cards (with envelopes) is available for $10, which includes shipping within the U.S. To order, just e-mail me and let me know which set you'd prefer. Digging deeper into my desk drawer, I've unearthed a set of National Geographic CDs -- the complete issues from the 1980's and 1990's, on five CDs. These work for both Mac and PC (though I haven't tried them with OSX), and the entire set is available for $10 (again, US shipping included). (Note: These are OLD CDs; they mention Windows 95 and 3.1, so you've been warned.) Finally, I'm seeking a home for my film camera, having decided to go digital once and for all. This is a very nice Minolta Maxxum 400si, complete with zoom lens, leather cover and instruction book. It's in great condition but undoubtedly needs a new battery, and is available for $50 "or best offer." If you're interested in any of the items above, e-mail me as soon as possible and I'll direct you to a PayPal payment page. And now, on to a completely different topic! Art History Majors -- Can You Help? ----------------------------------- If anyone out there in readership land has a knowledge of art history (particularly of European paintings from the 17th and 18th centuries), I'm hoping you can help me. In the 1930's, my grandfather (who was an artist) began work on what I can only assume was intended to be a set of illustrations for a book of historic costumes. The project was never finished, and his pile of sketches -- based on books, paintings and illustrations -- was left to languish in a closet for about 70 years. (See? This does, vaguely, tie into the "cleaning my closets" theme.) I'm now trying to compile this collection into a book. In most cases, he indicated the period and the source of his sketches, but toward the end of the project, he became less meticulous about record-keeping. So I'm left with a couple of drawings that I can't place in terms of period, location or source. Based on the progression of drawings, I'm guessing that he'd reached the 17th century by this point, and I'm also guessing that the paintings are European but not British. Beyond that, I haven't a clue. If you think you might be able to help me identify these, please visit http://www.writing-world.com/costumes/index.shtml and drop me an e-mail! And now, back to those closets... Moira Allen editors"at"writing-world.com ***************************************************************** CHILDREN'S WRITERS COMPETITIVE EDGE. 12-page monthly newsletter of editors' current wants and needs-up to 50 each month. Plus market studies and genre analyses loaded with editors' tips and insights into subjects and writing styles they're looking for right now. Free sample issue. http://www.thechildrenswriter.com/N8147 ***************************************************************** DEADLY INK - Annual Mystery Conference for Mystery Writers and Mystery Fans, Short Story Contest, Novel Contest, and announcing Deadly Ink Press, a publisher of mysteries and suspense. Visit our website http://www.deadlyink.com or email info"at"deadlyink.com ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= WRITING-WORLD.COM LISTED IN 101 BEST WRITING SITES --------------------------------------------------- We have just received confirmation that Writing-World.com has been listed in the Writer's Digest 2006 list of 101 Best Websites for Writers. Thank you to everyone who recommended us! For details and the complete list, visit http://www.writersdigest.com/101sites/2006_index.asp SCOTTISH BOOK CHAIN GOES INTO ADMINISTRATION -------------------------------------------- Captital, the Edinburgh-based bookgroup that owns several famous name high street books (Bookworld; Bargain Books and bw!) has gone into administration and immediately closed eight of its stores. Four more stores are to be closed within the month, leading to a total current loss of 65 jobs. The remaining 50 stores with their 397 staff will continue to trade whilst the administrator tries to find a buyer for the business which has a turnover of £30 million. Pressure from internet retailers and supermarkets selling books have been cited among the reasons for the collapse of the company. For more information visit: http://news.scotsman.com/edinburgh.cfm?id=230422007 COLOR E-PAPER WILL BE HERE IN LESS THAN 2 YEARS ----------------------------------------------- At an industry conference in London, Fujitsu Europe demonstrated a prototype of a colored e-paper which will, they believe, revolutionise the production of e-books and particularly e-zines. Fujitsu claimed that color e-paper, which will be read on portable e-tablets will be a reality in less than two years. For more information visit: http://www.journalism.co.uk/news/story3189.shtml (Publisher's Note: We've heard this before....) MARIE-CLAIRE COMES TO CELLPHONES -------------------------------- In a similar move that demonstrates the growing importance of new media, Marie Claire Magazine has announced it will soon be launching a cellphone version of the magazine which will be delivered weekly to subcribers with suitable WAP enabled phones. For more information visit: http://www.journalism.co.uk/news/story3187.shtml ASSOCIATED PRESS MOVE TO USE CITIZEN JOURNALISTS ------------------------------------------------- Associated Press has announced that it will start to use work from citizen journalists. They have signed a deal with a citizen journalist site, NowPublic.com, to allow AP editors to select and use news stories, photos and videos submitted by the site's citizen journalists. AP confirmed that they would pay for all content they use. For more information visit: http://www.journalism.co.uk/news/story3185.shtml JOURNALISTS JAILED FOR SLANDER IN BENIN --------------------------------------- One place where citizen journalism probably won't catch on is the tiny African country of Benin, where 8 journalists have been jailed for slander or defamation since March 2006. In the most recent case, four journalists were sentenced to six months imprisonment and a heavy fine for slandering former minister Luc Gnacadja, whom the journalists accused of embezzlement in February 2006. For more information visit: http://www.ifj.org/default.asp?index=4667&Language=EN ***************************************************************** WRITING JOURNALS, STATIONERY, AND PERSONALIZED GIFTS FOR WRITERS Great selection and prices! Moleskine, leather, blank journals, journal writing prompts and more! http://www.ScribeTime.com Shop now and Save 10% - use code: WW0301 - expires 03/15/07 ***************************************************************** THE INQUIRING WRITER ================================================================= by Dawn Copeman (DawnCopeman"at"Write-away.biz) Last month I posted a moving question from Joan Amato on how to write through grief. Thank you to everyone who replied. We've never had so many responses to an Inquiring Writer question before and I have forwarded on each of your emails to Joan. The one thing I took from all these emails (70 in all), is that no matter what life throws at us, no matter how dark and black things are, humans can and do have the ability to rise above it all and start to live and enjoy living again. As there were so many, far too many to include them all here or even on the site, I've decided to bring out the main points from these emails in the hope that they might help anyone else who is grieving. Many of the writers who contacted me wrote of the benefits of journaling to help them get through the grieving process. Cheri Pinner advised buying a stack of 'cheap' exercise books, and to write in it everyday, "Write the feelings out - write and write and write without censoring anything. Write anger and sadness and whatever feelings are there at the moment the pen is on the paper. Write without thinking or stopping. Write about the friends, relations, memories good and bad or just write gibberish. With a cheap notebook it can be burnt when you feel it's all written out. Sometimes when writing furiously like that another thought comes in - a positive creative thought arrives unbidden and surprising. If you like it, make a note in the margin. That thought can be transferred to a notebook to be kept. And you can be joyful that these sadnesses have brought something good, something that may be woven into work in the future." Molly Hill Folken said she would "urge this writer to keep a journal of how she is feeling about these losses. Just write out of her emotion, putting down whatever comes to mind and flows out the end of her pen. It is so important for her to let the grief come out and as time goes on she will begin to understand all the ramifications of it. I recommend that she (and everyone) read Storycatcher: Making Sense of Our Lives through the Practice of Story by Christina Baldwin. It is a great explanation of the grieving process as well as how we deal with those losses the rest of our lives. I wish her well." Eva Bell has been through this process herself and commented that, "From my own experience of widowhood at 32, I can vouch that writing is really therapeutic. As they say, 'Laugh and the world laughs with you; weep and you weep alone.' So, writing for me was a form of catharsis. I would pour out my emotions into my unedited journal, rather than bore people with my tears and invite their sympathy. This helped me get back into writing mode, and during that year, I was able to complete the last chapters of my first novel. I can assure you that it wasn't a morbid tale but a touching love story." Perle Champion is another advocate of journaling, "Write through grief, write your book of grief - that is how. You write it down. Pick up a copy of Julia Cameron's book, 'The Artist's Way' and read about her 'morning pages' and do them every single day. She had her grief, too. What we commit to the page is aired and somehow being told, it cannot dwell in us in quite the same way. Write the hurt, write the memory, write the good times and the bad. Write ' I don't want to write' but write and write until you find that you are in the flow as the gates holding on to the grief let go." "Write about it," advises Anna Letlaw, "Every time those thoughts interrupt your day, write about it and cry if you must. After you write, do one life-affirming thing for yourself. By embracing death, you embrace life and its inevitable change. The fact that you want to reconnect with your life is your first step to getting there. Go forth! Be fearless! Be gentle with yourself!" However, others said it might still be too early for Joan to start up writing again. Christine Weber commented that, "I've felt as if I 'should' be able to write about the suffering I have experienced the last four years, as if I ought to be able to put my pain into words because I am a writer. But I've found that to be a dangerous expectation. "Writing can be the opposite of cathartic. It can keep you in a state of trauma, solidify the damage of your wounds (i.e., keep you feeling like a victim) and, therefore, be very damaging to you as a person. For me, my experiences have taught me the limits of language and the limits of what writing can do for me and others. "I've started to hire myself out as a freelance writer and editor in areas not related to my suffering. I no longer spend the kind of time I used to tracking my own thoughts on paper, but the work keeps my mind and fingers nimble. Though from the outside I may appear 'stuck', I think healing through to where you can put yourself onto the page takes time. And some experiences are just so beyond what words can hold." Yet, others wrote that although it isn't always easy to write through grief, grief, like any other emotion, is one that can fire up the creative process. Shaunna Privatsky found that, "Whenever you are going through tremendous loss, your creative side seems to wither away, along with your will and determination to write. "The death of my Mom was the trigger that started my writing career. Three years ago, my husband suffered a medical accident that left him disabled with a permanent brain injury. I had just started a writing newsletter, and that is what kept me going. The support of friends and writers all over the world poured out, and I knew I had to keep the newsletter going. "I also kept a daily notebook, just for myself. I wrote down everything, from the color of the sky to the comments from the doctors. It was comforting to pour everything out, knowing that I would never try to publish or share my innermost thoughts. The main thing I learned is not to force yourself to write. Wait until you are ready, and that could be tomorrow, or three months from now. First you have to come to terms with your grief before you can venture outward, into the world of writing again. My warmest thoughts and prayers go out to you. I truly hope that 2007 will be filled with good things." "Grief is what made me a passionate writer," wrote Chryselle. "I was eighteen when my father died, apparently of a heart attack. He was 45. The next few years were not easy. In a bit of a blur, we wandered through college and then finding work. That one event (of my father's untimely death) changed the course of my life in terms of my work and family circumstances. "That event also made me a writer. The grief and shock of that day found its way onto paper. I wrote, and then wrote some more. My tears and lumps-in-the-throat showed up in rapidly piling up notebooks. That was the beginning of some 700 odd 'poems' (In hindsight, most of them not fit for publication!!). "The quality of my teen writing didn't matter then. What mattered was being able to exhume my feelings to a safe place. So many years later, the writing of those days still brings back a certain poignancy that is hard to shake off. And it HAS made me a better, more prolific writer. I empathize with Joan and say to her: 'Grief does not completely go away; it just dulls over time.' If writing is important to you, write about your grief. Reliving those memories is hard, but it is a path to acknowledging the pain. Getting things on paper is one of many baby steps to moving on. It takes time. And with time (and pen/paper), things do get better." Others, like E Luke, offered some practical advice to Joan on how to write through her grief, "One way I found (while grieving for my husband with Alzheimer's) was to read...a lot!! Especially in the genre chosen to write. In addition, re-read those books dealing with self-help on characterization, plotting, theme and whatever else is in a writer's reference bookshelves, this may help to turn on the spigot. It's surprising how ideas, even images, will begin to drip into that 'running river of memories'. So keeping a writing journal close at hand while reading is a must, for that matter a journal is a necessity for a writer. I too, am suffering from writers block, but each day I strive against procrastination and all the ghosts of negative thinking. To tell the truth it's damn hard to write during these times, but that's what writing is, work. In a book of meditations for writers (Walking on Alligators: A Book of Meditations for Writers, by Susan Shaughnessy), it says that 'It is possible to be productive when your heart feels frozen' and 'Depressed days don't necessarily result in depressing writing. On those very days, your writing may sing.' Magic does happen." Finally, Drew Silver, author of the Vampire Within Trilogy, had this advice for Joan and for anyone else who is grieving right now: "A new path is not always the answer to getting over grief. Truth is, there is never closure when we lose someone we love and deep down we will always mourn the lost. We are human after all. I have found a way to take grief and use it to not only keep myself moving forward, but also express my feelings that might otherwise torment my heart for years to come. "As a writer, I need to write. Otherwise, I feel like someone is suffocating me and snuffing out my imagination. Grief can feel like that and transform into writer's block. The best thing I can do is write out my grief. I write down every emotion that I'm feeling and expand on it. If I feel lost without the person, I think of all the ways I'm lost. Did this person go hiking with me, comfort me, edit my work, etc. I continue to write all the things that I'll miss. Then, I start writing all the things they did to enhance my life and why they were so important. "Before long, he or she is alive in my heart and mind again. I can incorporate them into short stories, screenplays, or novels. I can give them eternal life by the written word and give my heart a little peace." This month, we have another reader question from Craig Cardimon who wrote: "I have plenty of ideas. I have them all written down in outline form. They burst forth in my mind, in pictures, almost in movie format. They have a rough beginning, middle, and an end. Then it's kind of done, but only in my own mind, if that makes any sense. And I'm sort of bored with it and looking for the next idea, somewhat panicked that I'll run dry of ideas. I know I won't. How does a wanna-be-published writer pick up an old story idea and begin writing it down freshly, and continue until it's done? Where do I get the discipline?" Email your responses to me with the subject title "Writing Discipline" to editorial"at"Writing-world.com. Till next time, Dawn For more advice on writing through writing block visit: http://www.writing-world.com/basics/index.shtml#fears >>-----------------------------------------------------<< Dawn Copeman is a freelance writer based in England. She is the editor of http://www.newbie-writers.com, a site for new and aspiring writers, as well as a contributing editor and columnist at http://www.timetravel-britain.com. Visit her website at http://www.write-away.biz Copyright (c) 2007 by Dawn Copeman ***************************************************************** JUST RELEASED! Copyright Companion for Writers is a clear and concise survey of copyright law written with the rights of writers in mind. It answers your most pressing questions about copyright & includes forms on CD-ROM. The perfect companion to have on your creative journey. For more information and to order your copy, visit http://www.literarylawguide.com. ***************************************************************** WRITE BETTER; WRITE FASTER; WRITE IT RIGHT! Discover a simple five-step process for creating flawless written text. Write It Right: The Ground Rules for Self-Editing Like The Pros shows you how! $17.95 + s/h. http://www.amazon.com/exec/obidos/ASIN/0974496626/peregrine ******************************************************************** BOOST YOUR BOTTOM LINE: TEN IDEAS TO HELP YOU WORK SMARTER AND INCREASE YOUR WRITING INCOME ==================================================================== by Mridu Khullar Most writer-oriented books and periodicals tell readers, "If you write for $1 per word or higher-paying national publications, you can earn six figures a year." But let's face it -- for a writer just starting out, high-paying assignments from Cosmopolitan and The New Yorker are hard to come by. Is writing for national consumer publications or landing a three-book deal with a major New York publisher the only way to generate a good income? Not so, say experts. In fact, there are many ways a writer can boost the bottom line and bring in more money. Here are a few. Ask for more ------------ Almost every experienced freelancer I talk to negotiates as if his life depends on it; every newbie looks at me and says, "Really? You can do that?" The thing is, whether you're a newbie or a polished pro, most editors expect you to negotiate. Freelancing is a business, and editors respect writers who treat it like one. What's the worst that can happen when you ask for more money? You'll probably get a "Sorry, but we're on a tight budget" response, after which you're free to decide whether or not this assignment is worth doing for the offered compensation. But by asking, you make sure that there wasn't room for more. In fact, if the editor doesn't budge on the money front, she might agree to buy fewer rights, give you a long bio, or even print your picture alongside the piece. Turn it around --------------- An idea is almost always worth more than one article. That's because there are so many tangents just waiting to be discovered. I usually come up with ideas in multiples of three. My query on how busy women can keep fit won't just be sent to a women's magazine, but to a magazine for working women (The One Minute Fitness Program for Executives), a parenting magazine (Fitness Tips for the Time-Crunched Mommy) and maybe a general women's magazine (Fitness on a Stopwatch). That way, while the query letter remains essentially the same, I've reslanted it to meet the needs of several non-competing markets. Much better than simultaneously submitting! Go international ---------------- Recycling, reslanting and reselling old articles is a great way of keeping the cash inflow steady. But to make even more money, go international. Most magazines want first rights in their own countries anyway, and by selling first rights in various regions across the globe, you not only get them all to pay you their top rates, but also achieve the status of international writer on your resume. But don't think that just because you're writing for the international market, the road ahead will be easy. Far from it. You need to research the magazine, find the editor's name and spell it correctly, and pitch targeted stories just as you would to a magazine in your own country. Then there are the subtle differences. "You must open your eyes to the cultural nuances of the country you're writing for," says Kamala Thiagarajan, a freelance writer based in India. Don't settle for interviewing experts your own country. Thiagarajan says it's essential that you locate experts in the country where the magazine is published. Think sidebars -------------- So you've landed a plum $2 per word assignment with a national consumer magazine. Congratulations, you! Want to know how to add a little extra to that paycheck? Think sidebars. In fact, it's best to propose a couple of sidebars in your query letter itself. By doing so, not only do you ensure that you'll earn more for the piece if it's accepted, you also increase your chances of actually landing the assignment. Editors love sidebars. Many women's magazines are actually known to hire freelancers to write sidebars for their features. Why not do the job yourself and pocket some extra cash? Write for the trades -------------------- Writers talk about trade magazines a lot, but they don't submit to them enough. For a freelance writer who wants to make more money, trades are an underused source. Editors of the trades aren't flooded with queries and submissions like editors in consumer magazines and thus are hungry for talent. If you can do a good job with your query letter, you're halfway through the door. What's more, the trades tend to pay well, averaging $1 per word even for medium-circulation magazines. While getting assignments from the trades isn't half as tough as getting assignments from national consumer magazines, they do make tougher, and sometimes boring, assignments that you must nevertheless approach with enthusiasm. Brush up on your research and interview skills, too-you'll be making good use of them. Set income goals ---------------- Set monthly, weekly, even daily income goals. And I don't mean the all-encompassing "I'll make six figures a year" kind of goal. I mean sensible, practical, achievable goals. Kelly James-Enger, author of Six-Figure Freelancing: The Writer's Guide to Making More Money has a tip: Let's say you reach a figure of $30,000 as the amount of money you want to make this year from your writing. That's $2,500 per month. Taking two weeks off for vacations and emergencies and working a five-day week, you need to make $600 per week or $120 per day to reach your goal. Doesn't seem as tough now, does it? Now you need to fix productivity goals to make sure you're earning that daily $120. As long as you're meeting your daily productivity limit, you'll achieve your yearly income, too. Consider additional revenue streams ----------------------------------- Many writers learn soon enough that they need to create additional revenue streams from their existing products or services. Have you written a book on organizing your workspace? Why not teach an e-course on it, too? Sold a romance novel to Harlequin? Get in touch with the Romance Writers of America and offer to speak at some of their events. Are you a food writer who has achieved considerable success in that area? Why not write an e-book or start and e-zine? Collaborate ------------ There are literally thousands of people who have expertise in fields such as self-defence, nutrition, organizing homes, time management, etc. Right now, the knowledge of these experts is in great demand, and the huge sales figures of self-help books prove that. But while there are many experts, not all of them are writers. So they hire ghostwriters or co-authors. The expert provides the research and material; the co-author writes the book. And once the book is finished, the expert has a built-in audience waiting, meaning that you can approach top-notch book publishers with your proposal. Where do you find these experts? Apart from the dozens of writing market newsletters and job boards, also look closer to home-the famous horse trainer who lives next door, or the organization expert you've seen on TV who comes to the same hairdresser you do. These are perfect candidates for a writing partnership. Think in hours, not words -------------------------- If one magazine editor asks you to write a 1,000-word article at the rate of $1 per word, and another editor asks you write a feature for the same number of words for $200, the first one is the more lucrative assignment, right? Not necessarily. For all you know, the editor paying $1 per word might require three rewrites, research from ten different sources and interviews with five experts, taking up days of your time. Yet you might be able to whip up an article for the $200 editor in two hours flat. Which is the lucrative assignment now? The pay alone isn't enough to determine whether the assignment is worthwhile. Instead, you should think in hours. How much time will the assignment take, and how much frustration is it going to cause? "I've written for markets that pay anywhere from 25c to $2 per word and more. Yet some high-paying assignments required so much extensive background research, reporting and revising that I actually made less per hour than I did on other 'low-paying' assignments," says James-Enger. "Of course writers should consider what the per word rate is, but they should also consider how much time the assignment will take and what it's worth to them." Get proactive for your money ---------------------------- Writers often don't fight enough for their money because they don't want to risk ruining a relationship or offending an editor who could give more assignments. But just as your cell phone company won't sit around meekly when you don't pay your bill, you shouldn't either. Your cell phone company will charge obnoxious interest rates and high penalty fees; the least you can do is ask your editor for the money. The rule is simple: If you don't respect your time and value your work, no one else is likely to, either. Using these tips, you can make consistent and good money from your freelance writing. Treat it like a business. The profits will soon follow. >>-----------------------------------------------------<< Mridu Khullar is an international freelance writer with over 200 articles in print and on the Web. She has been published in several countries including the United States, Canada, England, Australia, India and Bahrain. Mridu's credits include articles and essays in almost 70 publications, including ELLE, Yahoo.com, Chicken Soup for the Soul, World & I, New Woman, Writer's Digest, Women's Health & Fitness, ePregnancy, Girls' Life and The Times of India. She lives and works from New Delhi, India. Copyright 2007 Mridu Khullar This article previously appeared in Byline magazine. Looking for more ideas on how to boost your writing income? Check out this link: http://www.writing-world.com/basics/fry.shtml ***************************************************************** CAN'T GET PUBLISHED? Be a Well-Fed Self-Publisher and make a living! Control the process and timetable. Keep the rights AND most of the profits. Here's the step-by-step blueprint used to create a full-time living from ONE book! By the award-winning author of The Well-Fed Writer. http://www.wellfedsp.com. ***************************************************************** EXPERIENCED, CERTIFIED COPYEDITOR: manuscripts; business, government, and professional publications; newsletters; advertisements. Basic editing, $25 per hour; substantive editing $40 per hour. Microsoft Word markup. karen.editpro"at"gmail.com ***************************************************************** THE WRITE SITES ================================================================= Bfi.org.uk ---------- Useful site from the British Film Institute for anyone doing scriptwriting. http://tinyurl.com/33nw92 Biography.com ------------- If you need to research someone famous, try this site from the biography channel. http://www.biography.com/search JudyReeveswriter.com -------------------- Scroll down to the bottom of the page to find some useful tips on writing and writing groups. http://www.judyreeveswriter.com/ The Playwriting Seminars ---------------------------- Comprehensive site on all aspects of playwriting. http://www.vcu.edu/arts/playwriting/ Aaron Shepard's Kidwriting Page -------------------------------- Great site on how to write children's books. http://www.aaronshep.com/kidwriter/ Writers-Free-Reference.com -------------------------- A site listing all the free reference sources you could ever possibly need. http://www.writers-free-reference.com/ *************************************************************** NEW AND ESTABLISHED MARKETS FOR YOUR WRITING. Up-to-date SUBMISSION Guidelines/Leads for poetry, short prose, and book projects. You'll receive your FREE report TODAY via email NEWSFLASH. Call toll-free (866) 405-3003 or Click Here http://www.wrelief.com Absolutely no subscription or purchase necessary. We'll share our know-how with you. In our 13th Year! ***************************************************************** GET PUBLISHED INSTANTLY. FREE EBOOK COVER AND PRESS RELEASE. Download our free handbook and sign-up for our free 10-day trial. See why over 500 authors have selected EbookoMatic as their publisher of choice. No contracts. Retain all rights. Earn 75% royalties. Visit http://www.getpublishedinstantly.com/ww now! ***************************************************************** THE BEGINNER'S GUIDE TO... Interviewing ================================================================= by Dawn Copeman For a very long time I avoided any writing jobs that involved interviewing people. Interviewing people meant talking to people and these people would expect me, as the interviewer to know what I was doing. So, because I didn't know how to interview and because I was, quite frankly terrified of interviewing, I kept my writing life easy and just didn't offer to write any articles where an interview would be needed. But, if you want to progress as a writer, then at some point you need to stretch yourself, to go beyond your comfort zone. At some point you will need to do an interview. To read the rest of this column, go to: http://www.writing-world.com/dawn/dawn14.shtml ***************************************************************** Expand Your Network, Develop Your Skills, Nurture Your Creative Life at the National Association of Women Writers! Membership includes books, teleseminars, legal advice, meetings, hotel discounts, critiques, and much more! Plus, get two free eReports: 101 BEST RESOURCES FOR WRITERS and INFOMARKET YOUR BUSINESS & PROSPER. http://www.naww.org ***************************************************************** WHAT'S NEW AT WRITING-WORLD.COM ================================================================= MARCH COLUMNS: ------------------ The Beginner's Guide to... Interviewing, by Dawn Copeman http://www.writing-world.com/dawn/dawn14.shtml Writing for Young Readers, by Eugie Foster The ABCs of Writing for Kids: Active, Brief, and Cut Cut Cut http://www.writing-world.com/foster/foster08.shtml NEW ARTICLES: ------------- State Magazines: Ten Tips for Landing Great Features in Your Home Area, by Sean McLachlan http://www.writing-world.com/freelance/state.shtml When Authors Engage in Public Speaking, by Patricia Fry http://www.writing-world.com/promotion/pubspeaking.shtml ***************************************************************** RECOMMENDED WRITING CLASSES ***************************************************************** Freelancing for Newspapers, by Sue Fagalde Lick. 8 weeks, $100; http://www.writing-world.com/classes/newspapers.shtml Fundamentals of Fiction, by Marg Gilks. 8 weeks, $150; enroll at any time! http://www.writing-world.com/classes/fiction.shtml ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. Unless otherwise indicated, competitions are open to all adult writers. For more contests, check our contests database. http://www.writing-world.com/contests/index.shtml JOYOUS PUBLISHING CONTESTS -------------------------- DEADLINE: March 15, 2007 GENRE: Short Stories, Nonfiction OPEN TO: Anyone worldwide LENGTH: Up to 10,000 words PRIZE: $50, $30 and publication in anthology URL: http://joyouspub.com/wst_page6.html A CUP OF COMFORT FOR SINGLE MOMS -------------------------------- DEADLINE: March 20, 2007 GENRE: Nonfiction LENGTH 1,000 to 2,000 words THEME: Must be original, positive, and based on real people and actual events. PRIZE: $500 ADDRESS: P.O. Box 1539 Cottage Grove, OR 97424 EMAIL: wordsinger"at"aol.com ANTHEM ESSAY CONTEST FOR HIGH SCHOOL STUDENTS --------------------------------------------- DEADLINE: March 20, 2007 GENRE: Young Writers THEME: Essays by 9th and 10th graders on the book 'Anthem' by libertarian novelist Ayn Rand. See website for essay questions (changes annually). PRIZE: $2000 URL: http://tinyurl.com/36hwew CINQUAIN POETRY --------------- DEADLINE: March 28, 2007 GENRE: Poetry THEME: For cinquain poems - see website for definition PRIZE: $100 URL: http://www.fanstory.com/contests.jsp#poetrytype BE MY VALENTINE WRITING CONTEST ------------------------------- DEADLINE: March 31, 2007 GENRE: Short Stories, Romance LENGTH: 1000 - 2500 words PRIZE: $250 & publication in anthology URL: http://www.writersunblocked.com EMAIL: info"at"writersunblocked.com L. RON HUBBARD'S WRITERS OF THE FUTURE CONTEST ---------------------------------------------- DEADLINE: March 31, 2007 GENRE: Short Stories OPEN TO: Any unpublished author worldwide THEME: Fantasy, Sci-Fi or Horror: All types of science fiction, fantasy and horror with fantastic elements, are welcome. LENGTH: 17,000 words max PRIZE: $1000 each quarter, chance to win annual prize of $4000 URL: http://www.writersofthefuture.com/index2.htm EMAIL: etoth"at"galaxypress.com ***************************************************************** AUTHOR'S BOOKSHELF: Books by Our Readers ---------------------------------------- Britain's Medieval Castles, by Lise Hull Byzantium: An Illustrated History, by Sean McLachlan The Great Castles of Britain and Ireland, by Lise Hull Tracing Your Family History, by Lise Hull Find these and more great books at http://www.writing-world.com/books/index.shtml Have you just had a book published? If so, let our readers know: just click on the link below to list your book. http://www.writing-world.com/books/listyours.shtml ***************************************************************** ADVERTISE in WRITING WORLD or on WRITING-WORLD.COM! 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