Equipping Writers for Success
HELPFUL LINKS   |   EDITOR'S CORNER (Ramblings on the Writing Life)

Getting Around...

Career Essentials
Getting Started
Queries & Manuscripts
Market Research

Classes & Conferences

Crafting Your Work
Grammar Guides

Writing Contests

The Writing Business
Income & Expenses
Selling Reprints

Negotiating Contracts Setting Fees/Getting Paid
Rights & Copyright
Tech Tools

The Writing Life
The Writing Life
Rejection/Writer's Block
Health & Safety

Time Management
Column: Ramblings on the Writing Life

Fiction Writing - General
General Techniques
Characters & Viewpoint
Setting & Description
Column: Crafting Fabulous Fiction

Fiction Writing - Genres
Children's Writing
Mystery Writing
Romance Writing
SF, Fantasy & Horror
Flash Fiction & More

Nonfiction Writing
General Freelancing
Columns & Syndication

Topical Markets
Travel Writing

Creative Nonfiction

International Freelancing
Business/Tech Writing

Other Topics
Poetry & Greeting Cards Screenwriting

Book Publishing
Traditional Publishing
Electronic Publishing
POD & Subsidy Publishing

Promotion/Social Media
General Promotion Tips
Book Reviews
Press Releases

Blogging/Social Media
Author Websites

Media/Public Speaking

Articles in Translation

Search Writing-World.com:

Yahoo: MSN:

This free script provided by
JavaScript Kit

Five Tips on Translating Poetry
by Jennifer Liddy

Return to Poetry & Greeting Cards · Print/Mobile-Friendly Version

You've decided to translate a poem. Maybe you have been studying a foreign language your whole life and want to put your talents to good use. Maybe you just came back from vacation to an exotic country and fell in love with their national poet and you want to recall the romance. Either way, translating poetry is serious business and not to be taken lightly. Your job as a translator is not only to pass the meaning of the poem into another language but to respect and honor its spirit. I don't mean you need a seance with a thousand candles, begging the poem to breathe your page. I mean that there are some rules to respect when you translate a poem.

1. Stay Close to the Poem. Read the poem again and again until the words become second nature on your tongue. By doing this, you will be able to feel the rhythm of the poem. You will recognize the pace, the pauses, the beats, the swirls of energy. Write the poem in longhand and make ten copies. Stick these where you can see and read them. Try the bathroom, the kitchen cabinet, or the freezer door, leading to the Ben & Jerry's. These copies will familiarize you with the poem's grammatical structure: Where the adjectives are, where there is a break in tenses. Plus, if you put them on that package of Oreo's, it'll take you longer to gobble the bag down. You will have to read the poem first!

2. Know the poet. If you are lucky enough to pick a living poet to translate, write to him or her. Get to know the person; ask him or her questions about the poem. What was the poet thinking when writing the poem? What does the poet think the poem means? Is there any imagery or language that is repeated? Is there anything symbolic from his or her life? What does the poet think of poetry? The more you know about the poet and his or her life, the better able you are to understand the nuances of the poem. Be courteous and grateful. The poet is answering your questions to help you with your translation.

If, however, you choose a poet who has passed on, your job is a little harder. Try and find out as much as you can about the poet's life. Most countries have national writer's associations. If they don't, check the web and university libraries and language departments. Maybe from there you can find other people who knew the poet or can help guide you. Build as many contacts as you can. Be familiar with the poet and you will get a sense for the poem.

3. Go for Grace. When you translate a poem, your job is to stay as close to the meaning as possible. That said, you also have artistic license to use (not abuse) the meaning to make a clear and graceful translation. Translating slag is an excellent example of when to use artistic license. Some slang has absolutely no meaning in another language. In fact, a direct translation would make the poem fail. In that case, turn the meaning of the slang into its equivalent. Remember, you want readers in your language to enjoy the poem, not marvel at how well you can directly translate words.

4. Be Wary. This tip is for those of you who think translating takes a few minutes tops. There are some great computer programs that are designed for translation. There are also some excellent dictionaries and phrase books. But do not rely on them to give you the end-all-be-all translation. You must do the footwork. You can use these computer programs and dictionary translations as a guide. They may help get to the bones of the poem but your job is to put heart and live language on those bones.

5. Take a Deep Breath. When you finish a translation, sit tight for a few days, maybe even a week, before you go over it. Take some time to think about something else, in your own language. Then come back and see where the gaps and the goodies are.

Translating a poem is a lot like writing a poem yourself. You have to know what you want to say. You have to feel what you want to say. You have to be focused. There are a thousand other jobs that are easier, better paid, and eyesight-saving, but translating has its own glories. Putting poems into another language is one of the best ways to share culture, honor poets, and remind us that we can transcend geography. Do your best.

Copyright © 2002 Jennifer Liddy
This article may not be reprinted without the author's written permission.

Jennifer Liddy works for the Japanese Ministry of Education, and lives in a small village in Japan named Asahi Mura. Her short stories and poetry have been published in the U.S. and Argentina in such magazines as The Portland Review, Sierra Nevada Review, Coe Review, Owen Webster Review, Pedestal Magazine, Collectedstories.com, The Amethyst Review, Onionhead, and Nexus. Liddy has translated the work of several Argentine poets, such as Fernando Olszanski, into English. Before relocating to Japan, she was a multicultural writer and editor for Chicago Public Schools.


Copyright © 2018 by Moira Allen. All rights reserved.
All materials on this site are the property of their authors and may not be reprinted
without the author's written permission, unless otherwise indicated.
For more information please contact Moira Allen, Editor

Organize your writing
and save time. Click here for a free download