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How to Protect Yourself From Questionable Agents
by Marg Gilks

Return to Getting Your Book Published · Print/Mobile-Friendly Version

I recently received a letter from a literary agency soliciting a manuscript submission from me. Did I congratulate myself on my good fortune? Did I consider my quest for an agent ended? No! That letter went straight into the garbage.

Writers work isolated; many keep going on only hope and a dream. Unfortunately, there are people out there who know this, who prey on those who would rather dream than do the research necessary to protect themselves.

We all dream of seeing our hard work come to fruition, of holding a book with our name on it in our hands. But remember this, if nothing else, while you search for an agent or publisher: if it seems too good to be true, it probably is.

Why did I throw that agent's letter away? I normally run a check on any agent expressing an interest in seeing my manuscript, but for this one, I didn't have to. I hadn't contacted him; he contacted me. So I asked myself: if this agent knew his stuff, if he did a good job for his clients, would he be out looking for authors? No. They'd be coming to him -- in droves. Even if this agent had proven reputable, I know that having an ineffectual agent is often worse than having no agent at all.

Several months ago I queried several agents in Jeff Herman's Writer's Guide to Book Editors, Publishers and Literary Agents, as well as a number of agents I found on the Internet, all of whom claimed not to charge a reading fee. Surprise! Every one of the agents who responded favorably to my query failed my "reputable agents check" in at least one instance. Many who claimed not to charge a reading fee were reported to charge "evaluation fees," "contract fees," or "processing fees." Still others ran their own editing service or subsidy publishing on the side. The bottom line? No matter what it's called, be wary of any agent who asks you for money. Even if they seem legitimate, ask yourself this: how hard will this agent work to sell my book and earn his percentage, if he's already making easy money in fees? Or: is this an agent or an editor? Will he be working to sell my book to publishers, or making money from authors for another service altogether?

Ask yourself these questions with publishers, as well. If a publisher wants money from you, you've probably found a vanity press. They won't promote your book. Many don't even edit the manuscripts they take on. Why should they? They've made their money from the author; who cares if the book is unsellable in its present form? They lose nothing; the author loses both money and credibility.

Protecting yourself from scams can be as easy as doing a few minutes' research on the Internet. Here are a dozen tips to get you started:

  • Visit the SFWA (Science Fiction & Fantasy Writers' Association) website and check out their "Writer Beware" and "Preditors & Editors" pages: http://www.sfwa.org/other-resources/for-authors/writer-beware/ and http://pred-ed.com/.

  • Query or join writers' groups and organizations. For a comprehensive list of writer's groups complete with links, visit Writing-World.com's links to Writers' Organizations http://www.writing-world.com/links/organizations.shtml. Other writers are a writer's greatest resource.

  • You can also post questions regarding specific publishers or agents to several forums at Google Groups or other discussion forums, and participants will answer directly. It's free. Writers will always come through with whatever helpful advice they can -- some of this advice for agent checks came from one of them.

  • Following that line of reasoning, newsgroups are also great for quick questions (on anything, as long as you're in the right place for that topic) and participants don't usually mind an outsider barging in to ask a question. They tend to answer pretty fast, too. I've used newsgroups for researching story details.

  • Check the website for the Association of Author's Representatives http://www.aaronline.org. It lists all members of its organization -- if agents are listed here, they have to follow strict guidelines. They're legitimate.

  • This site will actually run a free check on an agent for you: http://www.agentresearch.com/. In return, they send you a no-obligation information package about their newsletter -- not a bad trade-off for a free report.

You can also stay abreast of news in your field and recognize the names of good agents by reading the trade news magazines -- Locus and the SFWA Bulletin are two. Note the names of agents who sell work similar to yours, and who they represent and deal with. Another way to learn about agents is to read the forewords and dedication pages of books similar to yours -- some authors thank their agents there. And of course, every library carries Literary Market Place in their reference section!

Find Out More...

Ask an Agent: Four Agents Answer Your Questions - Natalie R. Collins
http://www.writing-world.com/publish/agentFAQ.shtml

How to Play the Agent Game - Chris Gavaler
http://www.writing-world.com/publish/agentgame.shtml

How to Pitch Your Book at a Writing Conference - Cynthia Gallagher
http://www.writing-world.com/publish/pitch2.shtml

The Perfect Pitch: Pitching to Agents at a Writing Conference - Sue Fagalde Lick
"http://www.writing-world.com/publish/pitch.shtml

What Agents Really Want - Natalie R. Collins
http://www.writing-world.com/publish/collins.shtml

Writing-World.com's Links to Finding an Agent
http://www.writing-world.com/links/agents.shtml

Copyright © 2001 Marg Gilks
This article may not be reprinted without the author's written permission.


Marg Gilks' short stories, poetry, and articles have been appearing in newspapers, newsletters, magazines, and e-zines since 1977. She considers writing fiction, especially sf/f, the ultimate form of escapism -- in what other field can you create your own universe? Contact her with feedback and queries through Scripta Word Services, her freelance editing business: http://www.scripta-word-services.com/.

 

Copyright © 2017 by Moira Allen. All rights reserved.
All materials on this site are the property of their authors and may not be reprinted
without the author's written permission, unless otherwise indicated.
For more information please contact Moira Allen, Editor

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