Equipping Writers for Success
The Writing Life
The Writing Life
This free script provided by
by Moira Allen
Return to Queries, Submissions & Market Research · Print/Mobile-Friendly Version
The Value of a Query
Queries benefit both editors and writers. Editors much prefer to review a one-page letter than a 10-page manuscript, so queries spend less time in the slush pile. They also enable an editor to determine, quickly, whether you:
Queries save you time by ensuring that you don't invest time and energy into writing an article that won't be accepted. Keep in mind that articles are often rejected for reasons that have nothing to do with quality. An editor may already have a similar piece on file, or assigned, or have covered something similar in a recent issue. It's much easier to find this out through a query, than to tailor an article for a publication and then have to rewrite it and send it somewhere else. It's also easier to obtain interviews when you can say you have a solid assignment.
By querying first, you also give the editor a chance to provide feedback on your idea. The editor may want to suggest a particular length, or approach, or recommend experts to interview. S/he may want you to cover other aspects of your subject in sidebars. By finding out what the editor wants before you start writing, you'll avoid having to revise the piece later.
A well-written query can also result in assignments you didn't expect. If the editor is impressed by your style and credentials, s/he may offer you some other assignment, even if your original idea isn't usable. This can often be the beginning of a long, rewarding relationship!
Query Letter Essentials
But how do you "sell" an editor on your article when you have no more than a page to explain your concept and display your writing skill? The answer is: By including everything the editor needs to know about your article -- and about you. A successful query letter generally includes these five basic components:
Your very first line should grab an editor's attention. It must demonstrate that you can write effectively, and that you understand your market.
There are several ways to approach the "hook," including:
The problem/solution hook. This defines a problem or situation common to the publication's audience, then proposes an article that can help solve that problem. Here's an example:
The pet magazine market is an ideal place for newer writers to "break in". However, it is constantly flooded with inappropriate submissions. To break in, one must understand what these magazines want, and what they won't accept. ("Writing for Pet Magazines," sold to Byline.)
The Informative Hook. This usually presents two or three lines of useful information (e.g., facts, statistics), followed by an explanation of how this applies to the target audience. For example:
Thanks to a translation glitch, Microsoft was forced to pull its entire Chinese edition of Windows 95 from the marketplace. Microsoft recovered -- but that's the sort of mistake few small businesses can afford! ("How to Localize Your Website," sold to Entrepreneur's Home Office -- see Sample.)
The Question. Often, this is a problem/solution or informative hook posed as a question, such as:
Did you know...?
The personal experience/anecdote. Many writers like to take a personal approach, as it immediately establishes the credential of "experience." Be sure, however, that your market uses more personal articles, or first-person accounts, before attempting a hook like this:
Forget-me-nots. I love their wistful name. I love their tiny blue flowers. And yes, I love that growing them is as simple as pie. ("Forget-me-nots: Simply Unforgettable Spring Flowers," by Mary R., sold to Fine Gardening.)
The attention-grabber. The goal of this type of hook is to make the reader sit up and take notice -- hopefully long enough to read the rest of the story. This might be a good "hook" for a query about parachuting in Yosemite:
As I fell from the top of Yosemite's El Capitan, I wondered if my life would truly flash before my eyes -- or if I would stop screaming long enough to notice.
Hooks to Avoid
Certain hooks scream "amateur" and are guaranteed to speed a query to the rejection pile, including:
Once you have an editor's attention, move on to the pitch. Usually, this is your second paragraph, and its purpose is to explain exactly what you're offering. For example, the pitch that followed the "localization" hook, above, went like this:
I'd like to offer you a 1,500-word article titled "Internationalizing Your Online Market." The article would discuss how small businesses can take advantage of "localizing" agents to tailor their products and market strategies to the international marketplace." ("How to Localize Your Website.")
If possible, your pitch should include a working title for your article (titles help editors "visualize" what you're proposing), a word-count (make sure you've checked the publication's guidelines!), and a brief summary of what the article will cover.
This is where you really start to "sell." The body of your query will usually be from two to four paragraphs, and presents the details of your article. Remember that an editor wants to know exactly what the article will cover, so by this time you should have a working outline of the piece in your own mind.
A good way to present an overview of your topic is to break it into logical subtopics -- e.g., the sections that would be likely to appear under subheads in the finished piece. The longer the article, the more subtopics you can include (though it's usually not advisable to have more than four or five). For example, a 700-word article on cancer in pets might only cover "The ten warning signs of cancer," while a 2000-word article on the same topic might cover "common types of cancer, warning signs, and current treatment options." A good way to determine whether you have the right number of subtopics is to divide your word-count by the number of topics -- e.g., a 2,000 word article with five subtopics gives you a budget of 400 words per topic.
Here's how I described the content of an article on quilt care:
The article covers techniques of hand-cleaning delicate quilts to avoid damaging fragile fabrics and prevent fading and staining. It discusses ways to remove spot stains (including blood spots and rust stains from needles and other metal contact). It also discusses ways to mend damaged quilts without destroying the integrity of an heirloom piece. Finally, it discusses the best ways to store or display quilts in order to preserve and protect them. ("Caring for Heirloom Quilts," sold to DownUnder Quilts.)
Some writers like to use block paragraphs; others like to use bullets. There's no rule on the best style; choose a style that makes your query visually appealing and easy to read.
Editors want to know why you are the best person to write the article you've proposed. This is where your credentials come in. Don't assume, however, that these must include writing credits. While a list of previous articles on relevant topics is nice, you may also be able to prove your qualifications with credentials such as:
Credentials are usually listed in the last or next-to-last paragraph. Here's an example:
As webmaster of www.musicphotographer.com, it has been my job to connect music writers and photographers with the markets that need their work. This is the only site devoted to music journalism on the Web. I'm also writing the first guide on the topic. Reviews for my last book, The Van Halen Encyclopedia, are available at Amazon.com. (C. Chilver's successful pitch to Inkspot for "How to Write for the Music Market.")
Use the final paragraph of your article to thank the editor for reviewing your proposal -- and to offer one last "nudge" to encourage the editor to respond. I usually include a time-estimate in this paragraph -- e.g., "If you are interested in this article, I can have it on your desk within XX days." Here's a typical closing paragraph:
I hope this topic interests you, and look forward to your response. If you would like to see the article, I can have it on your desk within two weeks of receiving your go-ahead. Thank you for your time!
The presentation of your letter can be as important as your content. A traditional (paper) query should include the following elements:
These guidelines are for traditional "paper" queries. Needless to say, not all of these "rules" are possible when sending an e-mail query; for more details on e-mail queries, see Preparing E-mail Queries.
Many editors ask for clips so that they can review a sample of your writing style. Clips are simply copies of previously published materials. Never send copies of unpublished works! Don't send clips of work you've self-published or posted on your own website. And remember, bad clips are worse than no clips at all.
It's best to send clips that are relevant to the proposal, if you have them. If you don't, send samples from your most prestigious publications. If most of your published works are electronic, print out copies from your website; don't just ask the editor to "visit" unless you are sending an e-mail query.
If you have no clips, don't despair. Most editors consider the merits of a query first and the clips second. (To be honest, many editors don't even have time to read clips, even though they request them.) If your query is strong enough, the absence of clips shouldn't be enough to trigger a rejection, unless the publication works only with published writers.
How long should you wait for a response? Usually, you should wait at least as long as the publication's guidelines suggest (e.g., 4 to 6 weeks) -- and then add another two weeks "grace period." Then, send a polite follow-up. Attach a copy of your original query, so that the editor won't have to search the files for it. If you still hear nothing after another 3-4 weeks, consider a polite phone call. (No, it won't cause your article to be rejected.) If you still can't get an answer, and you would like to withdraw the query, send a final letter informing the editor that, as you have received no response, you are officially withdrawing the query from consideration. This protects you from charges of "simultaneous submissions" if the first editor finally decides to reply after you've already sent the query on to someone else.
The ability to write a good query is one of the most important skills in a writer's toolbox. A good query shows an editor that you can write and that you are a professional -- qualities that may result in an assignment even if the editor can't use your original proposal. Think of your query as a letter of introduction, your first and only opportunity to get your foot through that particular door. If you make a good impression, you're likely to be invited back (even if your original pitch is rejected). If you make a bad impression, you may find that door forever closed.
Excerpted from The Writer's Guide to Queries, Pitches and Proposals.
Moira Allen is the editor of Writing-World.com, and has written nearly 400 articles, serving as a columnist and regular contributor for such publications as The Writer, Entrepreneur, Writer's Digest, and Byline. An award-winning writer, Allen is the author of eight books, including Starting Your Career as a Freelance Writer, The Writer's Guide to Queries, Pitches and Proposals, and Writing to Win: The Colossal Guide to Writing Contests. In addition to Writing-World.com, Allen hosts VictorianVoices.net, a growing archive of articles from Victorian periodicals, and The Pet Loss Support Page, a resource for grieving pet owners. She lives in Maryland with her husband and the obligatory writer's cat. She can be contacted at editors "at" writing-world.com.