Equipping Writers for Success
HOME   |   ABOUT US   |   CONTACT US   |   SITE MAP   |   MASTER ARTICLE INDEX   |   ADVERTISE WITH US!
HELPFUL LINKS   |   EDITOR'S CORNER (Ramblings on the Writing Life)

Getting Around...

Career Essentials
Getting Started
Queries & Manuscripts
Market Research

Classes & Conferences
Critiquing

Crafting Your Work
Grammar Guides

Research/Interviewing
Writing Contests

The Writing Business
Income & Expenses
Selling Reprints
Collaboration
Pseudonyms

Negotiating Contracts Setting Fees/Getting Paid
Rights & Copyright
Tech Tools

The Writing Life
The Writing Life
Rejection/Writer's Block
Health & Safety

Time Management
Column: Ramblings on the Writing Life

Fiction Writing - General
General Techniques
Characters & Viewpoint
Dialogue
Setting & Description
Column: Crafting Fabulous Fiction

Fiction Writing - Genres
Children's Writing
Mystery Writing
Romance Writing
SF, Fantasy & Horror
Flash Fiction & More

Nonfiction Writing
General Freelancing
Columns & Syndication
Newspapers/Journalism

Topical Markets
Travel Writing
Photography

Creative Nonfiction
Memoirs/Biography

International Freelancing
Business/Tech Writing

Other Topics
Poetry & Greeting Cards Screenwriting

Book Publishing
Traditional Publishing
Self-Publishing
Electronic Publishing
POD & Subsidy Publishing

Promotion/Social Media
General Promotion Tips
Book Reviews
Press Releases

Blogging/Social Media
Author Websites

Media/Public Speaking
Booksignings

Articles in Translation

Search Writing-World.com:

Google:
Yahoo: MSN:

This free script provided by
JavaScript Kit


Using Current Events in Speculative Fiction
by Paula Fleming

Return to Speculative Fiction · Print/Mobile-Friendly Version

Science fiction, especially, has often addressed present-day issues adroitly by using a future or alien setting. "Golden Age" SF often dealt with the then-new shadow of nuclear annihilation as well as the horrors of totalitarian rule. Today's stories often address the implications of advanced computer technology including artificial intelligence and extra-governmental conspiracies. On TV, the original Star Trek series dealt with the hot issues of the late 1960s, such as racial equality, the Cold War (with the Klingon empire standing in for the Soviet Union), and the morality of proxy wars. Star Trek: The Next Generation likewise explored themes pertinent to the 1980s and 1990s such as cultural relativism, embracing diversity, the moral use of power, and using multilateral diplomacy rather than the threat of force to achieve goals. While the Star Trek franchise may have fallen away from such relevancy in its more recent incarnations, Babylon 5 picked up where TNG left off.

Fantasy has tended not to address current events as explicitly as SF, hearkening rather to ancient themes of good versus evil, poetic justice, and Pyrrhic victories. Even so, a recurrent theme in fantasy is an exploration of women's roles through strong women protagonists facing challenges in oppressive societies. Another issue that arises often is a struggle for intercultural communication, cooperation, and mutual respect.

As I write this in 2004, the United States is in the middle of a presidential election campaign where the outcome will probably be very close, and our troops are fighting on foreign soil. The events of 9/11 are still fresh in Americans' minds, and other acts of terrorism, such as the 3/11 subway bombing in Madrid, are omni-possible. The U.S. economy continues to register mixed signals, hinting at an underlying fragility or, at least, uneven opportunity across our society. If you are not American, then you have your own list of key concerns.

Given SF/fantasy's tradition of reflecting on current events through storytelling, we may well try to write about the current world situation -- or find ourselves unconsciously writing about such concerns. Here are some thoughts about how to do so successfully.

Avoid a Preachy Tone

If you want to make a point, then perhaps you should write an essay. I mean it. Fiction is much more effective when it poses questions than when it tries to provide answers.

Our characters should seem to have free will or, at least, wills free of their author. When we manipulate them like puppets, pointing them in a certain direction, then our readers sense the strings being pulled and no longer identify with them. Give your characters permission to have deep character flaws, make bad decisions -- and to be smarter and wiser than you are.

Likewise, our stories' outcomes must seem to hang in the balance. When the reader senses -- and readers are very acute -- that the plot is being forced toward a given outcome, they will lose interest. Are you determined that certain things will happen or that certain things will not happen? Then take a step back and relax your convictions until everything is possible.

When we approach our stories in a questioning frame of mind, open to surprises, then we create work that will be alive to our readers, perhaps surprising them into asking questions as well. We need to trust our readers to come up with answers.

Use a Filter

If we want to know what's going on in the world, we can read the Internet or a newspaper, watch TV, or listen to NPR. I don't need to read a story to tell me that food aid can disrupt indigenous, ecologically adapted diets. Or to know that some leaders have political opponents shot. Or to know that when an industry collapses, small towns that depend on it are left destitute. Or to know that some white people are bigots and some black people are smart, or vice versa. Or to know that some mothers kill their children, or vice versa.

The facts are already in the news. The purpose of fiction is to transcend facts, to add a layer of insight, compassion, and wisdom so that the reader walks away resonating with some new truth apart from the literal facts.

Tell Us Something We Don't Already Know

Don't tell me that murder is bad and deserves punishment. Do explore the personal and broader repercussions of the soldier who mistakenly kills a friend in combat. Do explore the personal accountability of, and our social responsibility for, the immigrant mother who is so isolated and alienated that she throws her children off a bridge. Do explore that edge of humanness where another human being no longer registers as human, whether in a split-second of alcohol-uninhibited rage or as part of a lifelong sociopathy.

Don't tell me that post-colonial governments are often corrupt. Do explore the personal moral compromises of living under such a system, the risks of trying to change it, and why complicity with corruption may be the best choice for someone trying to take care of themselves and their loved ones.

Don't tell me that pollution is bad and that when humans hurt their environment, they eventually hurt themselves. I already know that. Do explore the hard choices between economic development and environmental damage, the gap between actions and consequences (it's a fact that we've made a lot of species extinct but we're still here), and the vast amount we still don't know about so many species or about global environmental balance.

Don't tell me that gay people shouldn't be harassed, tortured, and killed . . . Don't be obvious!

The bottom line: Ask questions. Filter events. Explore the unknown. Get to a maybe-truth that hits your reader in the gut.

Find Out More...

Blending Fiction and History - Paula Fleming
http://www.writing-world.com/sf/history2.shtml

Contemporary Fantasy: Setting the Fantastic in the Everyday World - Paula Fleming
http://www.writing-world.com/sf/contemporary.shtml

Using History: We Know Stuff Happens, but How? - Paula Fleming
http://www.writing-world.com/sf/history.shtml

Copyright © 2004 Paula Fleming
This article may not be reprinted without the author's written permission.


Paula L. Fleming's science fiction and fantasy have appeared in a variety of publications, including gothic.net; Tales of the Unanticipated #20, #22, and #24; Meisha Merlin's Such a Pretty Face anthology; and Lone Wolf Publishing's Extremes 3: Terror on the High Seas anthology. By day, she's a human resources generalist at the Wedge Community Co-op. To help her, she has three big dogs, two cats, and one husband. Visit her home page at http://home.comcast.net/~paulafleming/index.html or her blog at http://paulaleafleming.blogspot.com/.

 

Copyright © 2017 by Moira Allen. All rights reserved.
All materials on this site are the property of their authors and may not be reprinted
without the author's written permission, unless otherwise indicated.
For more information please contact Moira Allen, Editor

Organize your writing
and save time. Click here for a free download