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Just in Time for Halloween: The Dark Fiction Market
by C.M. Saunders
That time of year is approaching again... Halloween. Packs of
unleashed children prowl the streets in a rampant sugar-frenzy, and
the public's general mentality strikes an altogether morbid and
somber note. Most writers have a dark side they are reluctant to
explore, so what better time to pen that chillingly macabre short
story you've been planning for so long?
It can't have failed to escape your notice that, fed by huge
Hollywood franchises such as the Underworld and Twilight sagas, and
high-profile TV series like Medium, The Vampire Diaries and
Supernatural, right now dark and/or speculative fiction is BIG
business. In fact, within the literary world, dark and/or
speculative fiction has always been big business, and probably
always will be. Some of the very earliest publications contained
some extremely dark elements, stemming from people's inherent
fascination with the unexplained and the paranormal.
There was a period of uncertainty around the middle of the last
decade when the small press, which until then had served a loyal
and sizeable fan base, virtually self-destructed and most titles
either went digital or went to the wall, but dark fiction, in all
its various guises, remains enduringly popular. In some quarters it
may lack some of the respect afforded more cerebral fiction genres,
but the sheer volume of magazines, e-zines and niche publishers
currently crowding the market are a testament to dark fiction's
ongoing saleability, and it offers no shortage of prospective
markets for writers at all stages of development.
This sounds obvious, but the first thing to do is get to know the
markets. A common complaint amongst editors is that not enough
potential contributors actually take the time to read their
publications before submitting work. Many of the e-zines are free,
so spend some time downloading the PDFs or browsing the website and
get a feel for the kind of material each title prefers. Obviously,
as they are free, some of these titles boast very high circulation
figures. When scoping potential markets for your work, the aim of
the game should not be to stifle your creativity by bending to the
whims of various editors, but rather to identify the outlets that
best suit your subject matter or individual writing style.
If it's just exposure you're after, then your best bet is to try
submitting to token-paying or even non-paying publications, which
offer the best opportunities for would-be scribes. Unless you are
an established author in another field or manage to pen a work of
nerve-shredding near-genius, the majority of high-paying titles
will reject your work purely because they can have their pick of
top talent. The pay scale, which is usually relative to the
publication's status and readership, can be looked at like a
ladder. The only sure-fire way to climb it is to start at the
bottom and work your way up. Occasionally you'll get lucky and skip
a few rungs, but generally speaking your ascent will probably be
slow and laborious -- but ultimately well worth the effort.
A useful way to boost your list of published credits is to write a
few book, film or video game reviews and send them on-spec to
appropriate titles. Many fiction magazines are happy to publish
reviews, and often suffer a shortage of same. Unfortunately not too
many are willing to pay for them. Instead, you get the occasional
freebie and, of course, a contributor's credit. Putting your name
around as a prospective reviewer is also a highly effective way of
making industry connections.
If you are just trying to break into the genre, aim low and submit
primarily to lower-profile publications. Save your assault on the
upper echelons until you have a few published credits under your
belt; then you will be taken far more seriously. Here are a few
token-paying markets to get you started...
- House of Horror
- http://www.houseofhorror.org.uk/#/guidelines/4534003896
- The Dark Fiction Spotlight
- http://thedarkfiction.com/?page_id=9
- Deadman's Tome
- http://www.demonictome.com/DT2009Sub.html
The following links lead to submission guidelines for
'professional' dark fiction markets, which pay $0.05 per word or
more. Most established writers have a system whereby upon finishing
a new story they first submit it to high-paying markets; then if it
is rejected, they work their way down the pay scale until they find
a home for it. Be warned, the competition here is extremely fierce!
- Dark Discoveries
- http://darkdiscoveries.com/blog/submission-guidelines/
- Pedestal
- http://www.thepedestalmagazine.com/submitguidelines.php
- The SF Site
- http://www.sfsite.com/fsf/glines.htm
- On Spec
- http://www.onspec.ca/submissions
- Shock Totem
- http://www.shocktotem.com/guidelines.html
Some good advice to those seeking new markets would be to subscribe
to industry newsletters like Writing World to keep abreast of any
submission calls or other developments in your chosen field.
Keep a keen eye open for new or fledgling markets, which
are usually more receptive to submissions before their slush pile
starts getting out of control. One such new arrival on the scene is
the paying market Dark Valentine. Its publisher, Katherine
Tomlinson, says, "We want to see short stories in any genre so long
as they fit under the overall heading of dark. So black humor, dark
romance, urban fantasy, horror, mystery, SF, paranormal, dark
fantasy, speculative, slipstream, surrealism, magical realism, lit
fic, steampunk, splatterpunk, cyberpunk, dieselpunk, are all
welcome."
- Dark Valentine
- http://darkvalentine.net/index.php/submission-guidelines/
With such a bewildering array of genres and sub-genres falling
under the all-encompassing umbrella of "dark and/or speculative
fiction," some publications are genre-specific, concentrating on a
single aspect of the dark fiction realm. For example, there are a
multitude of vampire-themed fiction outlets out there, and most
will reject anything not closely connected to our fanged friends,
so check those guidelines closely!
- Hungur
- http://www.samsdotpublishing.com/HungurGL.htm
- Tales of the Zombie War
- http://www.talesofworldwarz.com
- Graveside Tales
- http://gravesidetales.com/submissions/
In addition to genre-specific titles, an increasing number of
publications, like UK-based Morpheus Tales, regularly produce
special themed issues. In the case of Morpheus Tales, the next
theme will be urban horror. As editor Adam Bradley explains, "You
may use any city, real or fictional, but the setting must be urban,
and the horrific element must be present."
- Morpheus Tales
- http://www.morpheustales.com/guidelines.htm
There is also no shortage of specialist publishing houses catering
to dark fiction and covering the entire spectrum, from short
stories to novel-length works. Most are primarily e-publishers,
reflecting the direction the industry is heading in, but some also
produce print-on-demand or trade paperbacks. One of the biggest
players currently in the game is Damnation Books, which recently
took over Eternal Press and publishes over fifty books a year.
- Damnation Books
- http://www.damnationbooks.com/index.php
Dark-fiction aficionados are known for ferociously devouring short
stories, and to supply this demand many of these specialist
publishing houses compile regular anthologies, most of which are
themed, setting new and emerging authors alongside more established
figures. Inclusion in these anthologies can be a great way to
increase your profile.
- Mundania Press
- http://www.mundania.com/submissions.php
- Last Rites Publishing
- http://www.lastritespublishing.com/index.html
- Pill Hill Press
- http://www.pillhillpress.com/index.html
With technological advances making multimedia more accessible than
ever, there are also exciting opportunities for writers outside the
traditional parameters of publishing. The e-zine Everyday Weirdness
regularly publishes an eclectic mix of fiction, poetry, art,
animation and audio.
- Everyday Weirdness
- http://everydayweirdness.com/
And how's this for a challenge? Tweet the Meat could well be the
world's first Twitter-only, horror/weird/speculative magazine. "No
serials. No unfinished stories. You must scare us in 140 characters
or less."
- Tweet The Meat
- http://tweetthemeat.blogspot.com/
Fueled by the rise in popularity of audio books, Podcasts are the
latest Internet phenomena sweeping the planet. If you would like to
hear your work brought to life, this could be for you...
- Pseudopod
- http://pseudopod.org/
Finally, don't forget that SOMEBODY has to write the stories used
in comic books...
- Grave Tales
- http://www.cemeterydance.com/extras/grave-tales-comic-guidelines/
So this Halloween, instead of just locking the door and cowering
beneath the covers, why not explore your dark side a little? You
may actually like what you find...
Copyright © 2010 C.M. Saunders
C.M. Saunders began writing in 1997. His first book, Into the
Dragon's Lair - A Supernatural History of Wales, was published in
2003. After graduating from journalism school he worked extensively
in the freelance market, contributing to numerous international
publications including Fortean Times, Bizarre, Maxim, Enigma and
Urban Ink. His dark fiction has appeared in Raw Nerve, Screams of
Terror, The Asphalt Jungle, Shallow Graves, Dark Valentine,
Fantastic Horror and several anthologies. His latest novella, Dead
of Night, is available now on Damnation Books, along with his
previous offering, the critically acclaimed Apartment 14F: An
Oriental Ghost Story. Visit his website at
http://www.christiansaunders.co.ukwww.myspace.com/valleyboy74.
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